By Andrew Galbraith and Marc Jones
SHANGHAI/LONDON (Reuters) – China’s biggest homebuilder by sales, Country Garden, saw its bonds slump on Monday as the country’s property crisis showed no sign of letting up.
Last week was the worst on record for Country Garden’s bonds and fresh falls of up to 17 points on Monday left most of its international market debt at 25-35 percent below its face value.
Analysts cited reports that it had dropped plans to raise $300 million last week after debt market investors had shown insufficient appetite.
A spokesperson at Country Garden responded to the reports saying the company had no plan to sell a convertible bond at present.
“It just seems to be the fear factor playing out,” said Seaport Global analyst Himanshu Porwal. “People are just marking things down as much as they can”.
Country Garden’s share price had also tumbled 8% in Hong Kong, though it wasn’t the only one to see sharp falls.
Central China Real Estate, Yuzhou Group Holdings, KWG Group Holdings and Jingrui Holdings all fell sharply on, slumping as much as 20.3%.
Chinese developers are facing an unprecedented liquidity squeeze due to years of regulatory curbs on borrowing, leading to a string of offshore debt defaults, credit-rating downgrades and sell-offs in developers’ shares and bonds.
The World Bank’s economic prospects report last week warned a severe and prolonged downturn in China’s real estate sector would have significant economy-wide reverberations, as developers’ total liabilities amount to almost 30% of the country’s GDP.
“What it has turned into is a cash crunch in the sector,” Colm D’Rosario, a high-yield debt manager at Europe’s biggest asset manager Amundi, said.
The primary concern is that many of China’s big developers still have large debt payments to make this year, at time when traditional borrowing markets remained largely closed to them.
“At some point the government will take steps as they don’t want a downward spiral, but they are walking a tightrope,” D’Rosario said.
(Reporting by Marc Jones; editing by Louise Heavens)
